Multiple albums were released throughout 2017 that kept me dancing and finger-snapping throughout every season. Muggy summer jam sessions and numb winter toe taps—music has been the glue holding each season together. These albums have kept the corners of my mouth up, the introspective thoughts pumping through my bloodstream, and the weights off of my lungs on fiery or frostbitten days.
Self-Titled by: Harry Styles
Although Harry Styles is a debut album, it also happens to be the product of a young and well-versed musician. Styles compiled an addictive album that combines pop, rock, and a flavor of the Beatles’ psychedelic era. Consequently, the nostalgic sixties feel brings a seemingly “new” and attractive flavor to our popular music scene, and has brought multiple singles to the forefront of the radio’s attention.
From slower ballads like “Two Ghosts” and “Sign of the Times” to upbeat rock tunes like “Kiwi” and “Carolina,” Styles incorporates a wide diversity of musical flavor among the ten-track album. Musically, Styles has proven that his tastes expand beyond the small confines of his former band, One Direction’s, uniform pop sound. The beauty of his self-titled album is that every song has a fairly unique composition, yet subtle guitar contributions and Styles’ well-trained rustic vocals tie the tracks together nicely.
As far as mega-popular artists go, Styles tops the list for me. The majority of his songs revolve around love as one might imagine, yet he brings originality and unique taste to each track that distinguishes his work from other avid love songwriters in the industry. Besides small phrases in a couple songs, none of Styles’ music is overtly sexual, which is refreshing for the popular music scene. There are many other important topics to touch upon in music that popular artists seldom do, yet even when resorting to love songs, Styles handles it tastefully. Plus, even if his music is not your cup of tea, Styles maintains a charming, charismatic personality that makes him pretty difficult to dislike.
After Laughter by: Paramore
Who likes to dance and occasionally cry? After Laughter will hit every emotion with its diversity of song topics. Paramore, led by Hayley Williams’ bold, dynamic-careful vocals, has transitioned from punk-rock to pop-disco in this album.
Synthesizer plays a consistent role across the 12 tracks, which consist of multiple happy-sounding sad songs, like “Fake Happy” and “Hard Times.” Overall, the album tells a cohesive story, starting with upbeat tunes, lulling in the middle for sadder introspections like “26,” catching a second wind of bolder thoughts, and finishing off with “Tell me How,” which questions how to establish new perspectives from past pain.
My favorite lyrics are in “26”: “Hold onto hope if you got it / don’t let it go for nobody.” This album resonates in difficult seasons and can even help prepare for future seasons of struggle. I always think pain can never be addressed enough, and whenever musicians dive into the details, it lightens everyone’s load knowing we all share in such difficulties.
6/10 by: Dodie
While only comprised of six songs, Dodie amazed me with 6/10. As a musician and YouTube personality, this thoughtful British woman is still establishing her path in the music scene. She managed to create a catchy album of songs that touch upon anxiety, depression, love’s attractiveness and damage, and a little instrumental thrown in!
Dodie’s voice is soft and meaningful. As I frequently enjoy watching the YouTube videos she creates, I can say that the brief album showcases her personality well. Both vulnerable mental health struggles and an unapologetic happy attitude are woven in, among her yellow-splashed cover and catchy ukulele tunes.
Most songs are pretty simple—vocals, ukulele, piano, maybe some soft drums. The words tend to speak for themselves and I value that immensely (of course). Also the lyrics “let’s write a story / be in my book” are pretty relatable. Dodie’s strength derives from beauty in simplicity.
Flicker by: Niall Horan
First of all, I realize I’m incredibly biased towards this Irishman (he may or may not be a five year crush… a girl can dream). Also I get to see Niall and go to Ireland next year, which is INSANE.
Now, time to be an objective reviewer. Ha. My family is rolling their eyes right now.
Firstly, two things: there admittedly were more love songs than I had hoped (I could make a whole rant about how we don’t need more love songs, or at least full albums of them). Ironically, I’m incredibly proud of the lyrical content… besides “Slow Hands” and a couple f-bombs—not necessarily grandma-worthy. But Horan generally touched upon songs in a tasteful manner like Styles, his former band mate.
Throughout his debut album, Horan established a classic guitar and soft vocalist theme, similar to musicians like Jack Johnson. “On My Own,” an upbeat, Irish-flavored rock track, brings a Springsteen reminiscent sound into the album’s narrative. Flicker provides a strong value for music’s rawness, through emotional tracks like “Paper Houses” and “Flicker.” Similar to Dodie, it’s clear that Horan wants listeners to focus on the words, especially in vulnerable moments.
As a result, the authenticity in Horan’s work generates trust among listeners. It doesn’t hurt that this laidback Irishman is not boastful in his work, but seeks to transition from an immensely successful boy band to the direction of a quiet, respectable solo artist who wants his backup band to garner as much recognition as he receives daily.
All of these albums were worth every penny and deserve all the praise they’ve received. Thank you to each musician and music as a whole. I would not have nearly as many moments of joy without the beautiful art and its products.